Director Fukuda (Love Life, Harmonium, A Girl Missing) returns Cannes, alongside with Tokyo IFF and Busan IFF.
This drama offers a restrained yet incisive look at J-pop idol culture, exposing contractual exploitation and societal misogyny. Its subdued tone, observational style, and focus on identity and online validation highlight the human toll of fame. Though divisive, it resonates as a thoughtful cultural critique.